An adopted woman on the cusp of childbirth reinserts herself back into the life of her biological mother, unsettling the entire family unit.

It follows a woman in an abusive marriage who sends her son to Istanbul for care. The son goes missing, and after three years, she meets him again, but he now goes by a different name.

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

A young woman's mother is found dead in the home they both live in a year after her fathers unsolves suspicious murder. The police think the daughter may be responsible so she and her friends must prove she is innocent.

This short film tells the story of Bianca, a nonbinary person, struggling to find the place for gender fluidity within the rigid world of ballet. Bianca finds their own voice, in this dance-filled rumination on coming out, not as one thing or another, but as something in between.

Despite heavy rain, landslides, scavengers and bulldozers, Eki hunts relentlessly through a colossal landfill for objects to remember his late mother by, desperate to preserve her memory.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video." 　　Kohei Ando produced experimental films for Shuji Terayama's theater company, Tenjo Sajiki. Using a 16mm camera he purchased with Terayama, Ando produced first film, Oh! My Mother (1968). His works include My Sons (1971), On The Far Side of Twilight (1994), and Whispers of Vermeer (1998). He has won awards at the Hawaii International Film Festival and the Monterey Electronic Cinema Festival.

After an eighty episode run on mainland Chinese television, Shang Jing's popular kung fu comedy makes the jump to the big screen with this feature version.

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

A mother steals her estranged daughter's identity to escape an abusive boyfriend but when he finds her again, she's threatened all the more. But is the ex-boyfriend behind the threat or someone else? It's the forgiving daughter who must save her mother from the exposed villain.